Potenza

Ancient times
The first settlement of Potentia was probably located at a lower elevation than at present, some 10 kilometres (6 miles) south of today's Potenza.

The Lucani of Potenza sided against Rome's enemies during the latter's wars against the Samnites and the Bruttii. Subjugated during the 4th century BC (later gaining the status of municipium), the Potentini rebelled after the Roman defeat at Cannae in 216 BC. However, the Battle of the Metaurus marked the end of any Carthaginian aspirations in Italy, and Potentia was reconquered by the Romans and reduced to the status of military colony.

Barletta Andria Trani

Andria
Different theories exist about the origins of Andria. In 915 it is mentioned as a "casale" ("hamlet") depending from Trani; it acquired the status of city around 1046, when the Norman count Peter enlarged and fortified the settlements in the area (including also Barletta, Corato and Bisceglie).

In the 14th century, under the Angevins, Andria became seat of a Duchy. In 1350 it was besieged by German and Lombard mercenaries of the Hungarian army, and in 1370 by the troops of Queen Joan I of Naples. In 1431 the ruler of Andria Francesco II Del Balzo found the mortal remains of Saint Richard of Andria, the current patron saint, and instituted the Fair of Andria (23–30 April). In 1487 the city was acquired by the Aragonese, the Duchy passing to the future King Frederick IV of Naples. Later (1552), it was sold by the Spanish to Fabrizio Carafa, for the sum of 100,000 ducats.

The Carafas ruled the city until 1799, when the French troops captured it after a long siege. After the Bourbon restoration, Andria was a protagonist of the Risorgimento and, after the unification of Italy, the brigandage era.

Barletta
Barletta developed long before the Roman era, known by Greeks and Romans respectively as Bardulos or Barulum, its origin dates back one hundred years before the arrival of either in the region, as demonstrated by the finding of an Apulian settlement (4th century BC) and the derivation of its name 'Baal-El' from Phoenician. Phoenicians first established a trading post for their trade with the local tribes, and the Etruscans farther north. Here initially there was among other trade goods, the import of the until then unknown wine, and later after the area had proved a fertile location for its cultivation and export. So successful was this introduction that the area became known to the Phoenicians as the 'Land of Wine' a name that the Greeks eventually translated as Oenotria.

In the Middle Ages it was a stronghold of the Normans and Lombards, becoming an important staging post for the Crusaders and the Teutonic Knights and Templars as well as the Knights of St.John. Following the Muslim conquest in the Holy Land, the Archbishops of Nazareth took refuge in Barletta (permanently in 1327).

After immigration from the nearby Canne increased its population due to the destruction of Cannae by the Normans, Barletta lived its periods of greatest splendour under Emperor Frederick II and then subsequently the Angevin kings of Naples.

At the beginning of the 16th century, during the guerilla war between the French and the Spanish over possession of Southern Italy, the city was the theater of a historical victory of Italian knights over French prisoners, in what became known as the Challenge of Barletta (13 February 1503). This took place during the occupation of the city by Gonzalo de Cordoba, and served as a handy diversion for his restive siege-bound army. Later the city served as a fortress for the Spanish rulers of southern Italy. In 1528 it was sacked by French troops under Odet de Foix.

The city was the capital of its district and the seat of the lower prefecture for the 120 years between 1806 and 1927 and sided with the French under Joachim Murat during the Napoleonic War.

During and after the Unification, Barletta was as poor as was most of the South of Italy. Consequently, hygiene and health were particularly bad. Various types of disease plagued the population, such as tuberculosis, diarrhea, pneumonia, small pox, malaria, etc. An estimated 15% of the population was affected by trachoma. The most dreaded of the diseases brought by poverty was cholera. Outbreaks of cholera took place in the city in 1836, 1854, 1865, 1866, 1867, 1886 and finally 1910 when the bacillus was brought back to Barletta by Barlettan fishermen, and killed tens of thousands all over southern Italy.

During World War II, the city was the site of the first episode of Italian conflict with German troops, when a battalion of Fallschirmjäger (parachutists) was sent from Foggia to Barletta to destroy the port before the British 8th Army could arrive, the Italian garrison surrendered after a brief struggle, thereby earning the Gold Medal of Military Valour and of Civilian Merit.

After the war it was the site of a DP camp.

Trani
The city of Turenum appears for the first time in the Tabula Peutingeriana, a 13th-century copy of an ancient Roman itinerary. The name, also spelled Tirenum, was that of the Greek hero Diomedes. The city was later occupied by the Lombards and the Byzantines. First certain news of an urban settlement in Trani, however, trace back only to the 9th century.

The most flourishing age of Trani was the 11th century, when it became an episcopal see in place of Canosa, destroyed by the Saracens. Its port, well placed for the Crusades, then developed greatly, becoming the most important on the Adriatic Sea. In the year 1063 Trani issued the Ordinamenta et consuetudo maris, which is "the oldest surviving maritime law code of the Latin West". There was also Jewish community in Trani, which was under the protection of the king until it was given to the Archbishop Samarus during the reign of Henry VI at the end of the 12th century. In that period many great families from the main Italian Maritime Republics (Amalfi, Pisa, Ragusa and Venice) established themselves in Trani. Trani, in turn, maintained a consul in Venice from 12th century. The presence of other consulates in many northern Europe centres, even in England and Netherlands, shows Trani's trading and political importance in the Middle Ages. Emperor Frederick II built a massive castle in Trani. Under his rule, in the early 13th century, the city reached its highest point of wealth and prosperity.

There was some economic progress during the nineteenth century, and by 1881 the population had reached 25,647. Trani at this time was an important trading point for wines, fruits and grain.

Isernia

The area of Isernia was settled at least 700,000 years ago: the nearby site called Pineta has been cited in the magazine Science as the most ancient site where traces of use of fire by humans have been found.

The city's Roman name, Aesernia, reflects probably a former Samnite toponym, but a connection to an Indo-European root, aeser, which means "water", is tenuous.

Pordenone

Pordenone was created in the High Middle Ages as a river port on the Noncello, with the name Portus Naonis. In the area, however, there were already villas and agricultural settlements in the Roman age.

In 1278, after having been administrated by several feudatories, the city was handed over to the Habsburg family, forming an Austrian enclave within the territory of the Patriarchal State of Friuli. In the 14th century, Pordenone grew substantially due to the flourishing river trades, gaining the status of city in December 1314.

Bari

The city was probably founded by the Peucetii. Once it passed under Roman rule in the 3rd century BC, it developed strategic significance as the point of junction between the coast road and the Via Traiana and as a port for eastward trade; a branch road to Tarentum led from Barium. Its harbour, mentioned as early as 181 BC, was probably the principal one of the districts in ancient times, as it is at present, and was the centre of a fishery. The first historical bishop of Bari was Gervasius who was noted at the Council of Sardica in 347. The bishops were dependent on the Patriarch of Constantinople until the 10th century.

Middle Ages
After the devastations of the Gothic Wars, under Lombard rule a set of written regulations was established, the Consuetudines Barenses, which influenced similar written constitutions in other southern cities.

Until the arrival of the Normans, Bari continued to be governed by the Byzantines, with only occasional interruption. Throughout this period, and indeed throughout the Middle Ages, Bari served as one of the major slave depots of the Mediterranean, providing a central location for the trade in Slavic slaves. The slaves were mostly captured by Venice from Dalmatia, the Holy Roman Empire from what is now Prussia and Poland, and the Byzantines from elsewhere in the Balkans, and were generally destined for other parts of the Byzantine Empire and (most frequently) the Muslim states surrounding the Mediterranean: the Abbasid Caliphate, the Umayyad Caliphate of Córdoba, the Emirate of Sicily, and the Fatimid Caliphate (which relied on Slavs purchased at the Bari market for its legions of Sakalaba Mamluks).

For 20 years, Bari was the center of the Emirate of Bari; the city was captured by its first emirs Kalfun in 847, who had been part of the mercenary garrison installed there by Radelchis I of Benevento. The city was conquered and the Emirate extinguished in 871, due to the efforts of Emperor Louis II and a Byzantine fleet. Chris Wickham states Louis spent five years campaigning to reduce then occupy Bari, "and then only to a Byzantine/Slav naval blockade"; "Louis took the credit" for the success, adding "at least in Frankish eyes", then concludes by noting that by remaining in southern Italy long after this success, he "achieved the near-impossible: an alliance against him of the Beneventans, Salernitans, Neapolitans and Spoletans; later sources include Sawadān as well."
In 885, Bari became the residence of the local Byzantine catapan, or governor. The failed revolt (1009–1011) of the Lombard nobles Melus of Bari and his brother-in-law Dattus, against the Byzantine governorate, though it was firmly repressed at the Battle of Cannae (1018), offered their Norman adventurer allies a first foothold in the region. In 1025, under the Archbishop Byzantius, Bari became attached to the see of Rome and was granted "provincial" status.

In 1071, Bari was captured by Robert Guiscard, following a three-year siege. Maio of Bari (died 1160), a Lombard merchant's son, was the third of the great admirals of Norman Sicily. The Basilica di San Nicola was founded in 1087 to receive the relics of this saint, which were surreptitiously brought from Myra in Lycia, in Byzantine territory. The saint began his development from Saint Nicholas of Myra into Saint Nicholas of Bari and began to attract pilgrims, whose encouragement and care became central to the economy of Bari. In 1095 Peter the Hermit preached the first crusade there. In October 1098, Urban II, who had consecrated the Basilica in 1089, convened the Council of Bari, one of a series of synods convoked with the intention of reconciling the Greeks and Latins on the question of the filioque clause in the Creed, which Anselm ably defended, seated at the pope's side. The Greeks were not brought over to the Latin way of thinking, and the Great Schism was inevitable.

A civil war broke out in Bari in 1117 with the murder of the archbishop, Riso. Control of Bari was seized by Grimoald Alferanites, a native Lombard, and he was elected lord in opposition to the Normans. By 1123, he had increased ties with Byzantium and Venice and taken the title gratia Dei et beati Nikolai barensis princeps. Grimoald increased the cult of St Nicholas in his city. He later did homage to Roger II of Sicily, but rebelled and was defeated in 1132.

Bari was occupied by Manuel I Komnenos between 1155 and 1158. In 1246, Bari was sacked and razed to the ground; Frederick II, Holy Roman Emperor and King of Sicily, repaired the fortress of Baris but it was subsequently destroyed several times. Bari recovered each time.

Early modern period
Isabella d’Aragona, princess of Naples and widow of the Duke Gian Galeazzo Sforza of Milan, enlarged the castle, which she made her residence, 1499–1524. After the death of Queen Bona Sforza, of Poland, Bari came to be included in the Kingdom of Naples and its history contracted to a local one, as malaria became endemic in the region. Bari was awakened from its provincial somnolence by Napoleon's brother-in-law Joachim Murat. As Napoleonic King of Naples, Murat ordered the building in 1808 of a new section of the city, laid out on a rational grid plan, which bears his name today as the Murattiano. Under this stimulus, Bari developed into the most important port city of the region. The legacy of Mussolini can be seen in the imposing architecture along the seafront.

Imperia

The name of Oneglia may have its roots in the pre-Roman settlement of Pagus Unelia, on the hill of Castelvecchio, which was probably one of the sex oppida of the Liguri. This spawned Ripa Uneliae, a village down on the coast probably on the site of the modern-day Borgo Peri. Modern Oneglia became established on its modern site around 935AD, possibly after it was destroyed by the Saracens; in 1100 it became a fief of the Diocese of Albenga.

Pistoia

Pistoria (in Latin other possible spellings are Pistorium or Pistoriae) was a centre of Gallic, Ligurian and Etruscan settlements before becoming a Roman colony in the 6th century BC, along the important road Via Cassia: in 62 BC the demagogue Catiline and his fellow conspirators were slain nearby. From the 5th century the city was a bishopric, and during the Lombardic kingdom it was a royal city and had several privileges. Pistoia's most splendid age began in 1177 when it proclaimed itself a free commune: in the following years it became an important political centre, erecting walls and several public and religious buildings.

Avellino

Before the Roman conquest, the ancient Abellinum was a centre of the Samnite Hirpini, located on the Civita hill some 4 kilometres (2 mi) outside the current town, in what is now Atripalda. The city could correspond to the ancient Velecha, documented by coins found in the area. Abellinum was conquered by the Romans in 293 BC, changing name several times in the following centuries (Veneria, Livia, Augusta, Alexandriana, and Abellinatium). However, the edification of a true Roman town occurred only after the conquest by Lucius Cornelius Sulla in 89 BC.

The town was Christianized around 500 AD, becoming an episcopal seat. There followed the invasions of the Goths and Vandals. After the Lombard conquest of southern Italy, the ancient city was abandoned (it is disputed if completely or partly), and a new settlement grew on the Terra hill, corresponding to the modern Avellino. Defended by a castle, it became part of the Duchy (later Principality) of Benevento and, after the latter's fall, of the Principality of Salerno.

In 1100, during the Norman rule of southern Italy, it was acquired by Riccardo dell'Aquila. Later, King Charles I of Anjou assigned it to the Montfort family, who were succeeded by the Del Balzo and the Filangieri.

The feudal rights to Avellino were purchased in 1581 by Don Marino I Caracciolo, duke of Atripalda, of a patrician family of Naples, who was made Prince of Avellino in 1589. Avellino became the main seat of the Caracciolo. Don Marino’s son and grandson were consecutively Grand Chancellor of the Kingdom of Naples and chevaliers of the Order of the Golden Fleece. The grandson, Don Marino II (1587–1630), was the patron of Giambattista Basile, author of the Pentamerone.

In 1820 Avellino was seat of revolutionary riots. However, the Unification of Italy some fifty years later did not bring any benefit to the city, being cut off from the main railway line Naples-Benevento-Foggia, and far from the sea as well.

In 1943 the city was bombed by Allied planes in an attempt to cut off the retreat of German panzer units over the important Bridge of Ferriera.

Avellino has suffered from seismic activity throughout its history and was struck hard by the earthquakes of 23 November 1980 and 14 February 1981. Avellino has also received ashfall from numerous eruptions of Vesuvius which lies almost due west; the city sits on type locality of pumice deposited from a Plinian eruption of Vesuvius about 3800 years ago.

Viterbo

The first report of the new city dates to the eighth century CE, when it is identified as Castrum Viterbii. It was fortified in 773 by the Lombard King Desiderius in his vain attempt to conquer Rome. When the popes switched to the Frankish support, Viterbo became part of the Papal States, but this status was to be highly contested by the emperors in the following centuries, until in 1095 it is known it was a free comune.

Grosseto

The origins of Grosseto can be traced back to the High Middle Ages. It was first mentioned in 803 as a fief of the Counts Aldobrandeschi, in a document recording the assignment of the church of St. George to Ildebrando degli Aldobrandeschi, whose successors were counts of the Grossetana Mark until the end of the 12th century.

Pisa

Ancient times

The origin of the name, Pisa, is a mystery. While the origin of the city had remained unknown for centuries, the Pelasgi, the Greeks, the Etruscans, and the Ligurians had variously been proposed as founders of the city (for example, a colony of the ancient city of Pisa, Greece). Archaeological remains from the 5th century BC confirmed the existence of a city at the sea, trading with Greeks and Gauls. The presence of an Etruscan necropolis, discovered during excavations in the Arena Garibaldi in 1991, confirmed its Etruscan origins.

Ancient Roman authors referred to Pisa as an old city. Strabo referred Pisa's origins to the mythical Nestor, king of Pylos, after the fall of Troy. Virgil, in his Aeneid, states that Pisa was already a great center by the times described; the settlers from the Alpheus coast have been credited with the founding of the city in the 'Etruscan lands'. The Virgilian commentator Servius wrote that the Teuti, or Pelops, the king of the Pisaeans, founded the town thirteen centuries before the start of the common era.

The maritime role of Pisa should have been already prominent if the ancient authorities ascribed to it the invention of the naval ram. Pisa took advantage of being the only port along the western coast from Genoa (then a small village) to Ostia. Pisa served as a base for Roman naval expeditions against Ligurians, Gauls and Carthaginians. In 180 BC, it became a Roman colony under Roman law, as Portus Pisanus. In 89 BC, Portus Pisanus became a municipium. Emperor Augustus fortified the colony into an important port and changed the name in Colonia Iulia obsequens.

It is supposed that Pisa was founded on the shore. However, due to the alluvial sediments from the Arno and the Serchio, whose mouth lies about 11 kilometres (7 mi) north of the Arno's, the shore moved west. Strabo states that the city was 4.0 kilometres (2.5 mi) away from the coast. Currently, it is located 9.7 kilometres (6 mi) from the coast. However it was a maritime city, with ships sailing up the Arno. In the 90s AD, a baths complex was built in the city.

During the later years of the Roman Empire, Pisa did not decline as much as the other cities of Italy, probably thanks to the complexity of its river system and its consequent ease of defence. In the 7th century Pisa helped Pope Gregory I by supplying numerous ships in his military expedition against the Byzantines of Ravenna: Pisa was the sole Byzantine centre of Tuscia to fall peacefully in Lombard hands, through assimilation with the neighbouring region where their trading interests were prevailing. Pisa began in this way its rise to the role of main port of the Upper Tyrrhenian Sea and became the main trading centre between Tuscany and Corsica, Sardinia and the southern coasts of France and Spain.

After Charlemagne had defeated the Lombards under the command of Desiderius in 774, Pisa went through a crisis but soon recovered. Politically it became part of the duchy of Lucca. In 860, Pisa was captured by vikings led by Björn Ironside. In 930 Pisa became the county centre (status it maintained until the arrival of Otto I) within the mark of Tuscia. Lucca was the capital but Pisa was the most important city, as in the middle of 10th century Liutprand of Cremona, bishop of Cremona, called Pisa Tusciae provinciae caput ("capital of the province of Tuscia"), and one century later the marquis of Tuscia was commonly referred to as "marquis of Pisa". In 1003 Pisa was the protagonist of the first communal war in Italy, against Lucca. From the naval point of view, since the 9th century the emergence of the Saracen pirates urged the city to expand its fleet: in the following years this fleet gave the town an opportunity for more expansion. In 828 Pisan ships assaulted the coast of North Africa. In 871 they took part in the defence of Salerno from the Saracens. In 970 they gave also strong support to the Otto I's expedition, defeating a Byzantine fleet in front of Calabrese coasts.
 
11th century
The power of Pisa as a mighty maritime nation began to grow and reached its apex in the 11th century when it acquired traditional fame as one of the four main historical Maritime Republics of Italy (Repubbliche Marinare).

At that time, the city was a very important commercial centre and controlled a significant Mediterranean merchant fleet and navy. It expanded its powers in 1005 through the sack of Reggio Calabria in the south of Italy. Pisa was in continuous conflict with the Saracens, who had their bases in Corsica, for control of the Mediterranean. In 1017 Sardinian Giudicati were militarily supported by Pisa, in alliance with Genoa, to defeat the Saracen King Mugahid who had settled a logistic base in the north of Sardinia the year before. This victory gave Pisa supremacy in the Tyrrhenian Sea. When the Pisans subsequently ousted the Genoese from Sardinia, a new conflict and rivalry was born between these mighty marine republics. Between 1030 and 1035, Pisa went on to defeat several rival towns in Sicily and conquer Carthage in North Africa. In 1051–1052 the admiral Jacopo Ciurini conquered Corsica, provoking more resentment from the Genoese. In 1063 admiral Giovanni Orlando, coming to the aid of the Norman Roger I, took Palermo from the Saracen pirates. The gold treasure taken from the Saracens in Palermo allowed the Pisans to start the building of their cathedral and the other monuments which constitute the famous Piazza del Duomo.

In 1060 Pisa had to engage in their first battle with Genoa. The Pisan victory helped to consolidate its position in the Mediterranean. Pope Gregory VII recognised in 1077 the new "Laws and customs of the sea" instituted by the Pisans, and emperor Henry IV granted them the right to name their own consuls, advised by a Council of Elders. This was simply a confirmation of the present situation, because in those years the marquis had already been excluded from power. In 1092 Pope Urban II awarded Pisa the supremacy over Corsica and Sardinia, and at the same time raising the town to the rank of archbishopric.

Pisa sacked the Tunisian city of Mahdia in 1088. Four years later Pisan and Genoese ships helped Alfonso VI of Castilla to push El Cid out of Valencia. A Pisan fleet of 120 ships also took part in the First Crusade and the Pisans were instrumental in the taking of Jerusalem in 1099. On their way to the Holy Land the ships did not miss the occasion to sack some Byzantine islands: the Pisan crusaders were led by their archbishop Daibert, the future patriarch of Jerusalem. Pisa and the other Repubbliche Marinare took advantage of the crusade to establish trading posts and colonies in the Eastern coastal cities of the Levant. In particular the Pisans founded colonies in Antiochia, Acre, Jaffa, Tripoli, Tyre, Latakia and Accone. They also had other possessions in Jerusalem and Caesarea, plus smaller colonies (with lesser autonomy) in Cairo, Alexandria and of course Constantinople, where the Byzantine Emperor Alexius I Comnenus granted them special mooring and trading rights. In all these cities the Pisans were granted privileges and immunity from taxation, but had to contribute to the defence in case of attack. In the 12th century the Pisan quarter in the Eastern part of Constantinople had grown to 1,000 people. For some years of that century Pisa was the most prominent merchant and military ally of the Byzantine Empire, overcoming Venice itself.
12th century

In 1113 Pisa and the Pope Paschal II set up, together with the count of Barcelona and other contingents from Provence and Italy (Genoese excluded), a war to free the Balearic Islands from the Moors: the queen and the king of Majorca were brought in chains to Tuscany. Even though the Almoravides soon reconquered the island, the booty taken helped the Pisans in their magnificent programme of buildings, especially the cathedral and Pisa gained a role of pre-eminence in the Western Mediterranean.

In the following years the mighty Pisan fleet, led by archbishop Pietro Moriconi, drove away the Saracens after ferocious combats. Though short-lived, this success of Pisa in Spain increased the rivalry with Genoa. Pisa's trade with the Languedoc and Provence (Noli, Savona, Fréjus and Montpellier) were an obstacle to the Genoese interests in cities like Hyères, Fos, Antibes and Marseille.

The war began in 1119 when the Genoese attacked several galleys on their way to the motherland, and lasted until 1133. The two cities fought each other on land and at sea, but hostilities were limited to raids and pirate-like assaults.

In June 1135, Bernard of Clairvaux took a leading part in the Council of Pisa, asserting the claims of pope Innocent II against those of pope Anacletus II, who had been elected pope in 1130 with Norman support but was not recognised outside Rome. Innocent II resolved the conflict with Genoa, establishing the sphere of influence of Pisa and Genoa. Pisa could then, unhindered by Genoa, participate in the conflict of Innocent II against king Roger II of Sicily. Amalfi, one of the Maritime Republics (though already declining under Norman rule), was conquered on August 6, 1136: the Pisans destroyed the ships in the port, assaulted the castles in the surrounding areas and drove back an army sent by Roger from Aversa. This victory brought Pisa to the peak of its power and to a standing equal to Venice. Two years later its soldiers sacked Salerno.
New city walls, erected in 1156 by Consul Cocco Griffi

In the following years Pisa was one of the staunchest supporters of the Ghibelline party. This was much appreciated by Frederick I. He issued in 1162 and 1165 two important documents, with the following grants: apart from the jurisdiction over the Pisan countryside, the Pisans were granted freedom of trade in the whole Empire, the coast from Civitavecchia to Portovenere, a half of Palermo, Messina, Salerno and Naples, the whole of Gaeta, Mazara and Trapani, and a street with houses for its merchants in every city of the Kingdom of Sicily. Some of these grants were later confirmed by Henry VI, Otto IV and Frederick II. They marked the apex of Pisa's power, but also spurred the resentment of cities like Lucca, Massa, Volterra and Florence, who saw their aim to expand towards the sea thwarted. The clash with Lucca also concerned the possession of the castle of Montignoso and mainly the control of the Via Francigena, the main trade route between Rome and France. Last but not least, such a sudden and large increase of power by Pisa could only lead to another war with Genoa.

Genoa had acquired a largely dominant position in the markets of Southern France. The war began presumably in 1165 on the Rhône, when an attack on a convoy, directed to some Pisan trade centres on the river, by the Genoese and their ally, the count of Toulouse failed. Pisa on the other hand was allied to Provence. The war continued until 1175 without significant victories. Another point of attrition was Sicily, where both the cities had privileges granted by Henry VI. In 1192, Pisa managed to conquer Messina. This episode was followed by a series of battles culminating in the Genoese conquest of Syracuse in 1204. Later, the trading posts in Sicily were lost when the new Pope Innocent III, though removing the excommunication cast over Pisa by his predecessor Celestine III, allied himself with the Guelph League of Tuscany, led by Florence. Soon he stipulated a pact with Genoa too, further weakening the Pisan presence in Southern Italy.

To counter the Genoese predominance in the southern Tyrrhenian Sea, Pisa strengthened its relationship with their Spanish and French traditional bases (Marseille, Narbonne, Barcelona, etc.) and tried to defy the Venetian rule of the Adriatic Sea. In 1180 the two cities agreed to a non-aggression treaty in the Tyrrhenian and the Adriatic, but the death of Emperor Manuel Comnenus in Constantinople changed the situation. Soon there were attacks on Venetian convoys. Pisa signed trade and political pacts with Ancona, Pula, Zara, Split and Brindisi: in 1195 a Pisan fleet reached Pola to defend its independence from Venice, but the Serenissima managed soon to reconquer the rebel sea town.

Asti

People have lived in and around what is now Asti since the Neolithic period. Before their defeat in 174 BC by the Romans, tribes of Ligures, the Statielli, dominated the area and the toponym probably derives from Ast which means "hill" in the ancient Celtic language.

In 124 BC the Romans built a castrum, or fortified camp, which eventually evolved into a full city named Hasta. In 89 BC the city received the status of colonia, and in 49 BC that of municipium. Asti become an important city of the Augustan Regio IX, favoured by its strategic position on the Tanaro river and on the Via Fulvia, which linked Derthona (Tortona) to Augusta Taurinorum (Turin). Other roads connected the city to the main passes for what are today Switzerland and France.

The city was crucial during the early stages of the barbarian invasions which stormed Italy during the fall of the Western Roman Empire. In early 402 AD the Visigoths had invaded northern Italy and were advancing on Mediolanum (modern Milan) which was the imperial capital at that time. Honorius, the young emperor and a resident in that city, unable to wait for promised reinforcements any longer, was compelled to flee from Milan for safety in the city of Arles in Gaul. However, just after his convoy had left Milan and crossed the River Po his escape route through the Alps was cut off by the Gothic cavalry. This forced him to take emergency refuge in the city of Hasta until more Roman troops could be assembled in Italy. The Goths placed Hasta under siege until March when General Stilicho, bringing reinforcements from the Rhine, fought and defeated them at the Battle of Pollentia. After this first victorious defence, thanks to a massive line of walls, Hasta suffered from the barbarian invasions which stormed Italy after the fall of the Western Empire, and declined economically.

In the second half of the 6th century it was chosen as seat for one of the 36 Duchies in which the Lombards divided Italy. The territory of Asti comprised a wide area, stretching out to Albenga and the Maritime Alps. This remained when northern Italy was conquered by the Franks in 774, with the title of County.

In the late Carolingian age Asti was ruled directly by his bishops, who were the main landlords of the area. Most important are Audax (904-926) and Bruningus (937-966), who moved the episcopal seat to the Castel Vecchio ("Old Castle"), where it remained until 1409. The bishopric of Asti remained a powerful entity well into the 11th century, when Pietro II received huge privileges by emperor Henry II. In the second half of the century, Bishop Otto tried to resist the aims of the powerful countess Adelaide of Susa, who damaged the city several times. During Otto's reign, a commune and the consul magistrates are mentioned for the first time (1095) and make this City-State the first republic of Europe.

Vicenza

Roman age
Vicentia was settled by the Italic Euganei tribe and then by the Paleo-Veneti tribe in the 3rd and 2nd centuries BC. The Romans allied themselves with the Paleo-Veneti in their fight against the Celtic tribes that populated north-western Italy. The Roman presence in the area grew exponentially over time and the Paleo-Veneti (whose culture mirrored Etruscan and Greek values more so than Celtic ones) were gradually assimilated. In 157 BC, the city was a de facto Roman centre and was given the name of Vicetia or Vincentia, meaning "victorious".

Gorizia

History of Gorizia
Middle Ages

Originating as a watchtower or a prehistoric castle controlling the fords of the river Isonzo, Gorizia first emerged as a small village not far from the former Via Gemina, the Roman road linking Aquileia and Emona (the modern Ljubljana). The name of Gorizia was recorded for the first time in a document dated April 28, 1001, in which the Holy Roman Emperor Otto III donated the castle and the village of Goriza to the Patriarch of Aquileia John II and to Count Verihen Eppenstein of Friuli. The document referred to Gorizia as "the village known as Goriza in the language of the Slavs" ("Villa quae Sclavorum lingua vocatur Goriza").

Piacenza

Pre-Roman era
Before its settlement by the Romans, the area was populated by other peoples; specifically, most recently to the Roman settlement, the region on the right bank of the Po River between the Trebbia River and the Taro River had been occupied by the Ananes or Anamari, a tribe of Cisalpine Gauls. Before then, says Polybius, "These plains were anciently inhabited by Etruscans", before the Gauls took the entire Po valley from them.

Arezzo

Described by Livy as one of the Capitae Etruriae (Etruscan capitals), Arezzo (Aritim in Etruscan) is believed to have been one of the twelve most important Etruscan cities—the so-called Dodecapolis, part of the Etruscan League. Etruscan remains establish that the acropolis of San Cornelio, a small hill next to that of San Donatus, was occupied and fortified in the Etruscan period. There is other significant Etruscan evidence: parts of walls, an Etruscan necropolis on Poggio del Sole (still named "Hill of the Sun"), and most famously, the two bronzes, the "Chimera of Arezzo" (5th century BC) and the "Minerva" (4th century BC) which were discovered in the 16th century and taken to Florence. Increasing trade connections with Greece also brought some elite goods to the Etruscan nobles of Arezzo: the krater painted by Euphronios ca 510 BC with a battle against Amazons (in the Museo Civico, Arezzo 1465) is unsurpassed.

Conquered by the Romans in 311 BC, Arretium became a military station on the via Cassia, the road to expansion by republican Rome into the basin of the Po. Arretium sided with Marius in the Roman Civil War, and the victorious Sulla planted a colony of his veterans in the half-demolished city, as Arretium Fidens ("Faithful Arretium"). The old Etruscan aristocracy was not extinguished: Gaius Cilnius Maecenas, whose name is eponymous with "patron of the arts", was of the noble Aretine Etruscan stock. The city continued to flourish as Arretium Vetus ("Old Arretium"), the third largest city in Italy in the Augustan period, well known in particular for its widely exported pottery manufactures, the characteristic moulded and glazed Arretine ware, bucchero-ware of dark clay and red-painted vases (the so-called "coral" vases).

Around 26-261 AD the town council of Arezzo dedicated an inscription to its patron L. Petronius Taurus Volusianus.
In the 3rd to 4th century, Arezzo became an episcopal seat: it is one of the few cities whose succession of bishops are known by name without interruption to the present day, in part because they were the feudal lords of the city in the Middle Ages. The Roman city was demolished, partly through the Gothic War and the invasion of the Lombards, partly dismantled, as elsewhere throughout Europe, and the stones reused for fortifications by the Aretines. Only the amphitheater remained.

The comune of Arezzo threw off the control of its bishop in 1098 and was an independent city-state until 1384. Generally Ghibelline in tendency, it opposed Guelph Florence. In 1252 the city founded its university, the Studium. After the rout of the Battle of Campaldino (1289), which saw the death of Bishop Guglielmino Ubertini (it), the fortunes of Ghibelline Arezzo started to ebb, apart from a brief period under the Tarlati family, chief among them Guido Tarlati, who became bishop in 1312 and maintained good relations with the Ghibelline party. The Tarlati sought support in an alliance with Forlì and its overlords, the Ordelaffi, but failed: Arezzo yielded to Florentine domination in 1384; its individual history was subsumed by that of Florence and the Medicean Grand Duchy of Tuscany. During this period Piero della Francesca worked in the church of San Francesco di Arezzo producing the splendid frescoes, recently restored, which are Arezzo's most famous works. Afterwards the city began an economical and cultural decay, which fortunately ensured that its medieval centre was preserved.

In the 18th century the neighbouring marshes of the Val di Chiana, south of Arezzo, were drained and the region became less malarial. At the end of the-century French troops led by Napoleon Bonaparte conquered Arezzo, but the city soon turned into a resistance base against the invaders with the "Viva Maria" movement, winning the city the role of provincial capital. In 1860 Arezzo became part of the Kingdom of Italy. City buildings suffered heavy damage during World War II; the Germans made a stand in front of Arezzo early in July 1944 and there was fierce fighting before the town was taken and liberated on 16 July by the British 6th Armoured Division. The Commonwealth War Graves cemetery is located to the North West of the city where 1,266 men are buried.

Pope Benedict XVI visited Arezzo and two other Italian municipalities on Sunday, May 13, 2012

Vibo Valentia

Vibo Valentia was originally the Greek colony of Hipponion. It was founded, probably around the late 7th century BC, by inhabitants of Locri, a principal city of the Italian Magna Graecia, south of Vibo Valentia on the Ionian Sea. Diodorus Siculus reports that the city was taken in 388 BC by Dionysius the Elder tyrant of Syracuse, who deported all the population.

Genoa

History

Prehistory and antiquity

The city cemetery, dating from the 6th and 5th centuries BC, testifies to the occupation of the site by the Greeks, but the fine harbor probably saw use much earlier, perhaps by the Etruscans. The ancient Ligurian city was known as Stalia (Σταλìα), so referred to by Artemidorus Ephesius and Pomponius Mela (this toponym is possibly preserved in the name of Staglieno, some 3 km (2 mi) from the coast). Ligurian Stalia was overshadowed by the powerful Marseille and Vada Sabatia, near modern Savona. Stalia had an alliance with Rome through a foedus aequum ("equal pact") in the course of the Second Punic War (218-201 BC). The Carthaginians accordingly destroyed it in 209 BC. The town was rebuilt and, after the Carthaginian Wars ended in 146 BC. it received municipal rights. The original castrum thenceforth expanded towards the current areas of Santa Maria di Castello and the San Lorenzo promontory. Trades included skins, wood, and honey. Goods were shipped to the mainland, up to major cities like Tortona and Piacenza.

Pescara

Even without a significant historical importance, Pescara's origins precede the Roman conquest. It was founded to be the port of Theate, Capital of the people of Marrucini, to trade with the peoples of the Orient, a supporting role that was held for centuries. The name of both the town and the river was Aternum (in Greek Άτερνος), it was connected to Rome through the Via Claudia Valeria and the Via Tiburtina. The main building was the temple of Jovis Aternium. The town was an important port for trade with the Eastern provinces of the Empire. In the Middle Ages it was destroyed by the Lombards (597).

Ascoli Piceno

Ascoli was founded by an Italic population (Piceni) several centuries before Rome's founding on the important Via Salaria, the salt road that connected Latium with the salt production areas on the Adriatic coast. In 268 BC it became a civitas foederata, a "federated" city with nominal independence from Rome. In 91 BC, together with other cities in central Italy, it revolted against Rome, but in 89 BC was reconquered and destroyed by Pompeius Strabo. Its inhabitants acquired Roman citizenship, following the developments and the eventual fall of the Roman Empire.

During the Middle Ages Ascoli was ravaged by the Ostrogoths and then by the Lombards of King Faroald (578). After nearly two centuries as part of the Lombard Duchy of Spoleto (593–789), Ascoli was ruled by the Franks through their vicars, but ultimately it was the bishops that gained influence and power over the city.

In 1189 a free republican municipality was established but internal strife led dramatically to the demise of civic values and freedom and to unfortunate ventures against neighboring enemies. This unstable situation opened the way to foreign dictatorships, like those of Galeotto I Malatesta (14th century), initially recruited as a mercenary (condottiero) in the war against Fermo, and Francesco Sforza. Sforza was ousted in 1482, but Ascoli was again compelled to submit to the Papal suzerainty. In 1860 it was annexed, together with Marche and Umbria, into the newly unified Kingdom of Italy.

Verona

The precise details of Verona's early history remain a mystery. One theory is it was a city of the Euganei, who were obliged to give it up to the Cenomani (550 BC). With the conquest of the Valley of the Po the Veronese territory became Roman (about 300 BC). Verona became a Roman colonia in 89 BC, and then a municipium in 49 BC when its citizens were ascribed to the Roman tribe Poblilia or Publicia.

Frosinone

The first traces of human presence around modern Frosinone date from the lower Palaeolithic (around 250,000 years ago). The earliest settlements in the area are from around 4000 years ago, including late Bronze Age remains in what is now the upper part of the city (12th-10th century BC) and 7th-6th century BC sepoltures. 21 tombs from a Volscan necropolis were found in the Frosinone centre. Frusino (as it is called in ancient Latin sources) was part of the Hernici but its inhabitants were mostly Volscans. In 306 BC the city took part in the Hernic League against Rome; defeated and sacked, it lost much of its territories to the nearby Ferentino. Later, during the Second Punic War, it was devastated by Hannibal's armies, to which it has refused to surrender.

Province of Pesaro and Urbino

The Province of Pesaro and Urbino is a province in the Marche region of Italy. Its capital is the city of Pesaro. It also borders the state of San Marino. The province is surrounded by San Marino and Emilia Romagna in the north, Umbria and Tuscany in the west, Ancona in the south and the Adriatic Sea on the east.

Aosta

Aosta was settled in proto-historic times and later became a centre of the Salassi, many of whom were killed or sold into slavery by the Romans in 25 BC. The campaign was led by Terentius Varro, who then founded the Roman colony of Augusta Praetoria Salassorum, housing 3,000 retired veterans. After 11 BC Aosta became the capital of the Alpes Graies ("Grey Alps") province of the Empire. Its position at the confluence of two rivers, at the end of the Great and the Little St Bernard Pass, gave it considerable military importance, and its layout was that of a Roman military camp.

After the fall of the Western Empire, the city was conquered, in turn, by the Burgundians, the Ostrogoths, and the Byzantines. The Lombards, who had annexed it to their Italian kingdom, were expelled by the Frankish Empire under Pepin the Short. Under his son, Charlemagne, Aosta acquired importance as a post on the Via Francigena, leading from Aachen to Italy. After 888 AD it was part of the renewed Kingdom of Italy under Arduin of Ivrea and Berengar of Friuli.

In the 10th century Aosta became part of the Kingdom of Burgundy. After the fall of the latter in 1032, it became part of the lands of Count Humbert I of the House of Savoy.

Vercelli

Vercellae (Vercelum) was the capital of the Libici or Lebecili, a Ligurian tribe; it became an important municipium, near which Gaius Marius defeated the Cimbri and the Teutones in the Battle of Vercellae in 101 BCE.

The imperial magister militum Flavius Stilicho annihilated the Goths there 500 years later. It was half ruined in St. Jerome's time (olim potens, nunc raro habitatore semiruta (1, 3.1)). After the Lombard invasion it belonged to the Duchy of Ivrea. From 885 it was under the jurisdiction of the prince-bishop, who was a Count of the Empire.

Cesena

Cesena was originally an Umbrian or Etruscan town, later known as Caesena. After a brief spell under Gaulish rule, it was taken over by Romans in the 3rd century BC. It was a garrison town of strategic importance which was destroyed in the wars between Gaius Marius and Sulla. Pliny mentions the wines of Cesena as among the best.

Perugia

Perugia was an Umbrian settlement but first appears in written history as Perusia, one of the 12 confederate cities of Etruria; it was first mentioned in Q. Fabius Pictor's account, utilized by Livy, of the expedition carried out against the Etruscan League by Fabius Maximus Rullianus in 310 or 309 BC. At that time a thirty-year indutiae (truce) was agreed upon; however, in 295 Perusia took part in the Third Samnite War and was reduced, with Volsinii and Arretium (Arezzo), to seek for peace in the following year.

Ancona

Ancona was founded by Greek settlers from Syracuse about 387 BC, who gave it its name: Ancona stems from the Greek word Αγκων, meaning "elbow"; the harbour to the east of the town was originally protected only by the promontory on the north, shaped like an elbow. Greek merchants established a Tyrian purple dye factory here. In Roman times it kept its own coinage with the punning device of the bent arm holding a palm branch, and the head of Aphrodite on the reverse, and continued the use of the Greek language.

When it became a Roman colony is uncertain. It was occupied as a naval station in the Illyrian War of 178 BC. Julius Caesar took possession of it immediately after crossing the Rubicon. Its harbour was of considerable importance in imperial times, as the nearest to Dalmatia, and was enlarged by Trajan, who constructed the north quay with his Syrian architect Apollodorus of Damascus. At the beginning of it stands the marble triumphal arch with a single archway, and without bas-reliefs, erected in his honour in 115 by the Senate and Roman people.

Ancona was successively attacked by the Goths, Lombards and Saracens between the 3rd and 5th centuries, but recovered its strength and importance. It was one of the cities of the Pentapolis of the Roman Exarchate of Ravenna in the 7th and 8th centuries. In 840, Saracen raiders sacked and burned the city. After Charlesmagne's conquest of northern Italy, it became the capital of the Marca di Ancona, whence the name of the modern region. After 1000, Ancona became increasingly independent, eventually turning into an important maritime republic (together with Gaeta, Trani and Ragusa, it is one of those not appearing on the Italian naval flag), often clashing against the nearby power of Venice. An oligarchic republic, Ancona was ruled by six Elders, elected by the three terzieri into which the city was divided: S. Pietro, Porto and Capodimonte. It had a coin of its own, the agontano, and a series of laws known as Statuti del mare e del Terzenale and Statuti della Dogana. Ancona was usually allied with Ragusa and the Byzantine Empire. In 1137, 1167 and 1174 it was strong enough to push back the forces of the Holy Roman Empire. Anconitan ships took part in the Crusades, and their navigators included Cyriac of Ancona. In the struggle between the Popes and the Holy Roman Emperors that troubled Italy from the 12th century onwards, Ancona sided with the Guelphs.

Trade routes and warehouses of the maritime republic of Ancona
Differently from other cities of northern Italy, Ancona never became a seignory. The sole exception was the rule of the Malatesta, who took the city in 1348 taking advantage of the black death and of a fire that had destroyed many of its important buildings. The Malatesta were ousted in 1383. In 1532 it definitively lost its freedom and became part of the Papal States, under Pope Clement VII. Symbol of the papal authority was the massive Citadel. Together with Rome, and Avignon in southern France, Ancona was the sole city in the Papal States in which the Jews were allowed to stay after 1569, living in the ghetto built after 1555.

In 1733 Pope Clement XII extended the quay, and an inferior imitation of Trajan's arch was set up; he also erected a Lazaretto at the south end of the harbour, Luigi Vanvitelli being the architect-in-chief. The southern quay was built in 1880, and the harbour was protected by forts on the heights. From 1797 onwards, when the French took it, it frequently appears in history as an important fortress. Ancona entered the Kingdom of Italy when Christophe Léon Louis Juchault de Lamoricière surrendered here on 29 September 1860, eleven days after his defeat at Castelfidardo.

On 23 May 1915, Italy entered World War I and joined the Entente Powers; in response the Austro-Hungarian Navy attacked Ancona, causing extensive damage and killing several dozen people.

During World War II, in July 1944, the city was taken by the Polish II Corps as part of an Allied operation to gain access to a seaport closer to the Gothic Line in order to shorten their lines of communication for the advance into northern Italy.

Verbano-Cusio-Ossola

Verbano-Cusio-Ossola is the northernmost province in the Italian region of Piedmont. It was created in 1992 through the fusion of three distinct regions which had previously been part of the Province of Novara. The area flanking the western shore of Verbano (or Lago Maggiore) forms the eastern part of the province; Cusio (or Lago d’Orta) and its environs form the southern part; while the north and east[clarification needed] of the province consists of the Ossola, a region of Alpine mountains and valleys. The ISO code for the province is VB.

Forlì

Ancient era
The surroundings of Forlì have been inhabited since the Paleolithic: a site, Ca' Belvedere of Monte Poggiolo, has revealed thousands of chipped flints in strata dated 800,000 years before the present era, which indicates a flint-knapping industry producing sharp-edged tools in a pre-Acheulean phase of the Paleolithic.

Parma

Prehistory
Parma was already a built-up area in the Bronze Age. In the current position of the city rose a terramare. The "terramare" (marl earth) were ancient villages built of wood on piles according to a defined scheme and squared form; constructed on dry land and generally in proximity to the rivers. During this age (between 1500 BC and 800 BC) the first necropolis (on the sites of the present-day Piazza Duomo and Piazzale della Macina) were constructed.

Alessandria

Alessandria was founded in 1168 with a charter as a free commune; it was sited upon a preexisting urban nucleus, to serve as a stronghold for the Lombard League, defending the traditional liberties of the communes of northern Italy against the Imperial forces of Frederick Barbarossa. Alessandria stood in the territories of the marchese of Montferrat, a staunch ally of the Emperor, with a name assumed in 1168 to honor the Emperor's opponent, Pope Alexander III. In 1174–75 the fortress was sorely tested by Imperial siege and stood fast. A legend (related in Umberto Eco's book Baudolino, and which recalls one concerning Bishop Herculanus’ successful defense of Perugia several centuries earlier) says it was saved by a quick-witted peasant, Gagliaudo: he fed his cow with the last grain remaining within the city, then took it outside the city walls until he reached the Imperial camp. Here he was captured, and his cow cut open to be cooked: when the Imperials found the cow's stomach filled with grain, Gagliaudo was asked the reason to waste such a rich meal. He answered that he was forced to feed his cow with grain because there was such a lot of it, and no room to place it within the city. The Emperor, fearing that the siege would last too long, left Alessandria free. (Malaria was probably the real cause of his departure.) A statue of Gagliaudo can be found on the left corner of the city cathedral.

Alessandria entered into jealous conflicts with the older communes of the region, in particular with Asti.

In 1348 Alessandria fell into the hands of the Visconti and passed with their possessions to the Sforza, following the career of Milan, until 1707, when it was ceded to the House of Savoy and henceforth formed part of Piedmont. The new domination was evidenced by the construction of a new big Cittadella on the left side of the river Tanaro, across from the city.

With Napoleon's success at the Battle of Marengo (1800), Alessandria fell to France and became the capital of the Napoleonic Département of Marengo. During this period another substantial fort was built to the north of the city containing impressive and substantial barracks which are still used as a military headquarters and stores (2006). The remains of a second fort to the south of the city (Cristo quarter) have been sliced in two by a railway (Forte ferrovia); a third one still remains in the middle of the same quarter (Forte Acqui).

From 1814 Alessandria was Savoyard territory once more, part of the Kingdom of Sardinia. During the years of the Risorgimento, Alessandria was an active center of the liberals.

In a suburb, Spinetta Marengo, the Battle of Marengo is reenacted annually, on June 14.

Alessandria was the first capital of an Italian province to be governed by a Socialist: the clockmaker Paolo Sacco was elected mayor on July 25, 1899.

Alessandria was a tactical military target during World War II and was subjected to intense Allied bombing, the most serious being the raids of April 30, 1944, with 238 dead and hundreds wounded, and April 5, 1945, with 160 deaths, among them 60 children from the children's asylum in Via Gagliaudo. On end of that month the city was liberated from the German occupation (1943–1945) by the partisan resistance and troops of Brazilian Expeditionary Force.

On November 6, 1994 the Tanaro flooded a good part of the city, causing major damage, especially in the Orti quarter.

Toulouse-Lautrec, at the Museo dell’Ara Pacis in Rome

A major exhibition devoted to Toulouse-Lautrec, the quintessential bohemian painter of fin-de-siècle Paris, is opening at the Museo dell’Ara Pacis in Rome. The show features around 170 works from the Budapest Museum of Fine Arts, which span the artist’s career from 1891 to 1900, shortly before he died prematurely at the age of thirty-six.

Promoted by Roma Capitale – Capitoline Superintendency for Cultural Heritage, produced by Arthemisia Group and organized by Zètema Progetto Cultura, the exhibition brings to Rome the pick of the Toulouse-Lautrec Collection at the Budapest Museum of Fine Arts (Szépművészeti Múzeum) – one of the most important in Europe, with masterworks ranging from the Middle Ages to the 20th century. The Rome exhibition, curated by Zsuzsa Gonda and Kata Bodor, displays around 170 lithographs from the collection (including eight large-format posters and two covers of albums, each composed of about 10 lithographs, devoted to the French singer, actress and writer Yvette Guilbert), which will be on display at the Museo dell’Ara Pacis from 4 December 2015 to 8 May 2016.

The show is intended to give visitors a complete picture of Toulouse-Lautrec’s graphic output through posters, illustrations, sheet music covers and playbills, some of which are absolute rarities, since they were printed in signed and numbered limited editions with a dedication by the artist.

Henri de Toulouse-Lautrec is considered the most celebrated master of the print and poster in the Parisian Belle Époque period. One of the most distinguishing features of his art is his portrayal of the most diverse aspects of humanity in everyday or entertaining situations, which the French bourgeoisie found fascinating. He drew most of his inspiration from Montmartre in Paris, and the majority of his works depict the nightlife and popular haunts in this quarter. They are snapshots of the quotidian rendered with great immediacy. In next to no time he became one of the most sought-after illustrators and draughtsmen in Paris, receiving commissions for posters advertising plays, ballets and shows, and for illustrations that appeared in leading contemporary magazines like Le Rire.

In addition to the works of Toulouse-Lautrec, the exhibition includes rare photos and film clips from the beginning of the 20th century which evoke the Parisian Belle Époque. There is also an interactive app that enables the visitor to learn about lithography and printing techniques at the end of the 19th century, from colour and large-scale reproduction to the birth of the advertising poster, which Henri anticipated with his art.

THE EXHIBITION AND THE ARTIST

The exhibition is divided into five thematic sections that cover the great French painter’s formative artistic and intellectual experiences, from the first works executed under the guidance of his teacher René Princeteau, to those of his early period in Paris, which are strongly indebted to Montmartre and Léon Bonnat and Fernand Cormon. The trajectory begins with his realistic academic studies, develops through the humorous and avant-garde influences of the Artistes Incohérents, and culminates in the Post-Impressionist works executed after his encounter with Théo van Rysselberghe and the painting of Seurat, Gauguin and Van Gogh.

Section 1 – Parisian Nights

In 1881 Henri de Toulouse-Lautrec, scion of an ancient aristocratic family from the south of France, decided to become a painter. By then it had become quite clear that he could not follow in his father’s footsteps due to his genetic bone disease and his family agreed for him to continue his art studies in Paris. Henri easily fitted into the free, bohemian world of Montmartre where he not only found a home, but also themes to inspire his art. These included café-chantants and cabarets, the most popular haunts of fin-de-siècle Parisian night life (At the Moulin Rouge: La Goulue and her Sister, 1892; The Englishman at the Moulin Rouge, 1892; Caudieux, 1893).

Section 2 – The Stars

One of the most tangible and familiar signs of Toulouse-Lautrec’s cult of celebrity is the advertising poster featuring La Goulue, a dancer with a huge following, which he created for the Moulin Rouge in 1891.

The success of this first poster led to many other commissions, which brought him into contact with the most popular performers (Aristide Bruant in his Cabaret, 1893; Jane Avril, 1893; Divan Japonais, 1893). He became a good friend of the singer-songwriter and cabaret artist Aristide Bruant (1851–1925), whose image he helped to shape with a series of prints and lithographs, including Aristide Bruant in his Cabaret (1893), where the star is depicted wearing a voluminous cloak, wide-brimmed hat, and red scarf around his neck. The modernity of the stylized representations, composed of areas of solid colour, brought the artist unexpected overnight success.

The painter also established a friendship with the famous Parisian cabaret star Jane Avril (1868–1943), a sophisticate who appreciated his art, and portrayed her at a café-chantant in the poster Divan Japonais (1893). Jane Avril is also depicted as a connoisseur on the cover of L’Estampe originale, a publication in the form of an album promoting contemporary lithography (Cover for l’Estampe originale, 1893).

Section 3 – Women of the Night (I’ll take up quarters in a brothel … )

Toulouse-Lautrec liked the frivolity of brothels, indeed between 1892 and 1895 he often spent entire weeks in the maisons closes near the Opera and the Stock Exchange. He observed the girls for hours  as they rested, played cards or applied their make-up. He liked to depict the lighter moments in brothels, and especially the prostitutes who did not make him feel ashamed of his stunted appearance. The complete lack of inhibition with which these women practised their profession made them the perfect models for him. This section includes the series of colour lithographs, Elles, of 1896, depicting intimate moments from the world of brothels with unusual empathy (Woman at the Tub; Seated Clowness; Mademoiselle Cha-U-Kao). Lautrec did not refrain from the subject matter of lesbian love, but treated it with special sensitivity (The Large Theatre Box, 1897).

Section 4 – In the Theatre (I don’t mind what is on. I always have a good time in theatre ... )

Between 1893 and 1896 Lautrec became an active participant of that exciting world of the theatre, designing programmes and portraying theatrical scenes (The Theatre Box with the Gilded Mask, 1893). He was captivated by Marcelle Lender, the actress of the Théâtre des Variétes, whose daringly erotic portrait bust printed in eight colours is a masterpiece in the history of lithography (Bust of Mademoiselle Marcelle Lender, 1895).

In his theatrical scenes the artist renders the intensity of the dramas or comedies with vigorous movements and powerfully contrasting light and shade, inspired both by Japanese woodcuts and Daumier’s images of theatre audiences (Princely Idyll, 1897).

Section 5 – Among Friends

The office and the homes of the editors of La Revue blanche were an important scene of Parisian social life. Here, Toulouse-Lautrec made several friends, and in 1895 he designed a poster for the magazine (Poster for La Revue blanche, 1895).

Although he experimented with new techniques, like drypoint, the influence of his early training and his fascination with natural elements and animals was always evident as his work developed. For example, horse-riding had been part of his aristocratic education as a youth, and it returned to the fore in his late period. This section sheds light on various aspects of Toulouse-Lautrec’s private life: his passion for the races at Longchamp (The Jockey, 1899), his daily outings in the Bois de Boulogne (Country Outing, 1897), and his love for an unknown woman sitting in a deckchair onboard a ship (The Passenger from Cabin 54, 1895).

The show is completed by the many book and cover illustrations that the artist created solely at the request of friends during his last years, including Cover for L'Etoile rouge (an anthology of poems by Paul Leclercq, one of the founders of La Revue Blanche) of 1898. The writer Victor Joze also asked him to do the cover for his novel (Cover for La Tribu d'Isidore, 1897) and Georges Clemenceau commissioned ten illustrations for the volume Au Pied du Sinai (1897), published in 1898.

This exhibition illustrates Toulouse-Lautrec’s eccentric art and nonconformist and provocative poetics – among the most sophisticated and groundbreaking of the fin-de-siècle period – through the works from the Budapest Museum of Fine Arts. He was a late discovery, but is now one of today’s most admired and appreciated artists.

“ ... my drawing was not too bad, because the competition was mediocre.” These words of Henri’s – possessed the soul of a “tormented artist” who was not duly “recognized”, despite the fact that he was extremely optimistic and aware of the beauty of life. An essential beauty whose outlines are deliberately blurred, to be experienced through debauchery; a beauty rendered with bold, unconventional tints and without any frills, where both drawing and colour are concerned. No one after Toulouse Lautrec has succeeded in rendering imperfection so “perfectly”. This is his style.

Venice

Although no surviving historical records deal directly with the founding of Venice, tradition and the available evidence have led several historians to agree that the original population of Venice consisted of refugees from Roman cities near Venice such as Padua, Aquileia, Treviso, Altino and Concordia (modern Portogruaro) and from the undefended countryside, who were fleeing successive waves of Germanic and Hun invasions. Some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae ("lagoon dwellers"). The traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto (Rivoalto, "High Shore") — said to have taken place at the stroke of noon on 25 March 421 (the Feast of the Annunciation).

Foggia

The name Foggia derives from Latin "fovea", meaning "pit", referring to the pits where wheat was stored. Although the area had been settled since Neolithic times, and a Greek colony known as Argos Hippium (in Greek, Ἀργόριππα or Ἀργύριππόι) existed nearby, the first document attesting the existence of the modern city dates from 1000 AD. According to the legend, the first settlers were peasants who had found a panel portraying the Madonna, on which three flames burnt.

UNCOMMON PLACES an accelerationist aesthetics

UNCOMMON PLACES

LUCA CAMPIGOTTO - OLAF OTTO BECKER - DAVIDE BRAMANTE -
JULIANE EIRICH - ANDREA GALVANI - HIROYUKI MASUYAMA
REGINE PETERSEN - ALVARO SANCHEZ-MONTAÑES
project by Manon Comerio
curated by Camilla Boemio

Palazzo da Schio
Via Capitano G. Sella 4 – Schio, Vicenza
dal 15 aprile al 15 maggio 2016/from April 15 to May 15, 2016

Palazzo da Schio, an unusual context but one overflowing with history and fascination, has become the venue for an analytical show resulting from the interaction between the project's originator, Manon Comerio, and thecurator-theoretician Camilla Boemio. The show aims at investigating the natural and urban landscape in another dimension: that of the imagination in a state of aesthetic acceleration. An imagination that, in the face of nature's display, searches for nothing from itself, nor does it search for a confirmation of its own certainties, but highlights ways for integrating multiple visions. We are living in an age of time without time, one in which images are superimposed to recount disorderly landscapes from which emerge parallel stories, vernacular elements, and allusions to geometrical-temporal aesthetic constructions. The hendiadys of Being and Time, to which Martin Heidegger had devoted his 1927 masterpiece, today seems to reveal itself in the disturbing form of an endless being without time. The legitimate child of the acceleration of historybegun with the Industrial revolution and by the French Revolution, thephenomenon of urgency was promoted, at a theoretical level, by theEnlightenment's enthusiasm for a future as the realisation of projects foremancipation and improvement. All the same, our postmodern age, one that has in fact stopped believing in the future, has not stopped hurrying, and has given life to a wholly self-referential version of urgency: a nihilistic version of it because it has been emptied of projects for universal emancipation and the promise of colonising the future.
The process of transcending the present is partly undertaken by our exhibition, with the narrative supplied by multifaceted works consisting of different scenarios: from the Broken Line and Ilulissat series by Olaf Otto Becker, to Regine Petersen with Find a Fallen Star, Luca Campigotto with a selection of landscape extracted from his well-known series, Davide Bramante's Saint Petersburg, the works specifically made for Italy by the Spaniard Alvaro Sanchez Montañes, a series of iconic works by Andrea Galvani, Hiroyuki Masuyama with a site-specific installation, and the German Juliane Eirich with a selection from her series Korea Diary and Itoshima.

Camilla Boemio è la curatrice di Diminished Capacity il Primo PadiglioneNazionale della Nigeria alla 15°.International Architecture Exhibition La Biennale di Venezia/Camilla Boemio was the curator of Diminished Capacity the first national pavilion of Nigeria at the 15th International Architecture Exhibition, the Venice Biennale.


Orari/Opening Hours:
Martedì al Venerdì dalle 10 alle 18 /Tuesday to Friday from 10a.m. to 6 p.m.
Sabato e Domenica dalle 10 alle 19/Saturday and Sunday, from10 p.m. to 7 p.m.

Pavia

Dating back to pre-Roman times, the town of Pavia, then known as Ticinum, was a municipality and an important military site (a castrum) under the Roman Empire. It was said by Pliny the Elder to have been founded by the Laevi and Marici, two Ligurian tribes, while Ptolemy attributes it to the Insubres. The Roman city most likely began as a small military camp, built by the consul Publius Cornelius Scipio in 218 BC to guard a wooden bridge he had built over the river Ticinum, on his way to search for Hannibal, who was rumoured to have managed to lead an army over the Alps and into Italy.

Agrigento

Agrigento was founded on a plateau overlooking the sea, with two nearby rivers, the Hypsas and the Akragas, and a ridge to the north offering a degree of natural fortification. Its establishment took place around 582-580 BC and is attributed to Greek colonists from Gela, who named it Akragas.

Akragas grew rapidly, becoming one of the richest and most famous of the Greek colonies of Magna Graecia. It came to prominence under the 6th-century tyrants Phalaris and Theron, and became a democracy after the overthrow of Theron's son Thrasydaeus. At this point the city could have been as large as 100,000 - 200,000 people. Although the city remained neutral in the conflict between Athens and Syracuse, its democracy was overthrown when the city was sacked by the Carthaginians in 406 BC. Akragas never fully recovered its former status, though it revived to some extent under Timoleon in the latter part of the 4th century.

Didrachm, 490-483 BC.
The city was disputed between the Romans and the Carthaginians during the First Punic War. The Romans laid siege to the city in 262 BC and captured it after defeating a Carthaginian relief force in 261 BC and sold the population into slavery. Although the Carthaginians recaptured the city in 255 BC the final peace settlement gave Punic Sicily and with it Akragas to Rome. It suffered badly during the Second Punic War (218-201 BC) when both Rome and Carthage fought to control it. The Romans eventually captured Akragas in 210 BC and renamed it Agrigentum, although it remained a largely Greek-speaking community for centuries thereafter. It became prosperous again under Roman rule and its inhabitants received full Roman citizenship following the death of Julius Caesar in 44 BC.

After the fall of the Western Roman Empire, the city successively passed into the hands of the Vandalic Kingdom, the Ostrogothic Kingdom of Italy and then the Byzantine Empire. During this period the inhabitants of Agrigentum largely abandoned the lower parts of the city and moved to the former acropolis, at the top of the hill. The reasons for this move are unclear but were probably related to the destructive coastal raids of the Saracens and other peoples around this time. In 828 AD the Saracens captured the diminished remnant of the city. They pronounced its name as Kerkent in Arabic; it was thus Sicilianized as "Girgenti". It retained this name until 1927, when Benito Mussolini's government reintroduced an Italianized version of the Latin name.

Agrigento was captured by the Normans under Count Roger I in 1087, who established a Latin bishopric there. They built the Castello di Agrigento to control the area. The population declined during much of the medieval period but revived somewhat after the 18th century. In 1860, the inhabitants enthusiastically supported Giuseppe Garibaldi in his conquest of southern Italy (in the course of the Unification of Italy). The city suffered a number of destructive bombing raids during World War II.

I macchiaioli

The exhibition 'I Macchiaioli. Le collezioni svelate' (The Macchiaioli. The Collections Revealed) opens at the Chiostro del Bramante in Rome on 16 March and for the first time offers the public the chance to see important paintings by the Macchiaioli and others, within the context of the collections that originally held them.
The works that belonged to great collections of the past – for example those of Cristiano Banti, Diego
Martelli, Rinaldo Carnielo, Edoardo Bruno, Gustavo Sforni, Mario Galli, Enrico Checcucci, Camillo
Giussani and Mario Borgiotti – are now mostly in private collections and represent the core of the most important 19th-century Italian movement in painting.
The over 110 works on display are the gems of the rich collections of great art patrons of the period. They were extremely interesting personalities who shared a great passion for painting, entrepreneurs and businessmen in love with beauty, without whom we could never admire these masterpieces today.